Sunday, April 19, 2015

Blog post 1 Project

"Hey cool said chapter 11. Try it Cal. Put your head in the doorway. yeah like that...
Don't fool around with the door, kids
Im just testing the pressure.
Ow!
See what did I tell you"(259).

 I have been in this situation before. I am always getting hurt or injured out of carelessness and stupid actions. One time I was dancing in the Barclays center train station and I WAS KILLING IT. I was so good in fact that my friend Eric said "yo hit me with it" and we chest bumped. I jumped and smashed my head into the subway sign directing which way the train was going. Blood immediately starts flowing down my face. I tried to hold the blood but it filled my hands and started to flow on to the floor. Now before I continue let me just say what idiot puts a subway sign that low. It was like only 6 feet off the ground. Even hobbit could've hit his head. I mean c'mon why was it so low. Not only that but that thing was sharp as hell. Like someone purposely sharpened the edges to hurt someone. The MTA is suspect. Anyway I was on the floor bleeding and all I can hear is my moms voice saying of course you hit your head, It's always you getting hurt. And she was right my whole life I've been braking bones and hurting myself. when I was two I was dancing in my high chair and fell out and broke my arm. at age 12 I ran into a door and got a black eye. At age 13 I got stitches in my mouth because my cheek ripped and got stuck in my braces. At age 14 I broke my finger while playing basketball. Then this, I was so injury prone that the girl that worked at NYU knew my name by face. I had frequent flyer miles for the hospital. So I can defiantly relate to Cal and chapter 11 fooling around and getting hurt. It's something I personally have experienced many times and it has done absolutely nothing but make me stronger. Not only that but I still do stupid stuff even knowing I'll get hurt.

Wednesday, November 26, 2014

HERES MY OEDIPUS PROJECT.
John Saggese                                                  UH3                                                   


Oedipus project:
1.
“Quickly my children/ up from the steps take up your branches now/ one of you summon the city here before us/ tell them I’ll do everything. God help us. We will see our triumph-or our fail”(160-164).

Oedipus calls the priests his children as a term of endearment. He is saying he is the provider and protector of the priests. The priests are scared and praying while Oedipus is like don’t be worried, I’ll fix this. Then he goes on to tell the priests to tell the city he will change this bad time. He will turn everything around.  He’s basically making a promise that he will make the city great or die trying. However he says the words “our fail” as if the city will fail as a result of Oedipus decisions. Our fail implies that other people had part in his decisions where as he was alone in them. One weird thing about this quote is Oedipus calls on god as in the almighty god not Zeus. He says god help us not may the gods help us. So this gets me thinking that Sophocles is imprinting his own faith on the reader

LEADER
You are good man gentle and kind
A better man you cannot find
Oedipus rules with compassion and love
Your soul white and pure as a dove
You care and respect your fellow man
Of your good deeds I am a fan
I trust and love you
Oh great mighty ruler
Your soul is a gem and I the jeweler

2.
“You mock my blindness? Let me tell you this / you with your precious eyes / you’re blind to corruption of your life, to the house you live in, those you live with / who are your parents? Do you know? All unknowing / you are the scourge of your own flesh and blood (468-474).

Here Tiresias acts like a father figure to Oedipus who is acting like a child. Oedipus called Tiresias a blind fool and Tiresias responded with something an adult would say. Tiresias responds by saying, “let me tell you this” which in my experience is something an adult who is fed up would say to a child who crossed the line. Tiresias is a father who is about to “school” his child. Then Tiresias goes on to explain how wrong Oedipus is. He is teasing Oedipus with knowledge of the truth the reason why Oedipus lashed out is because Tiresias wouldn’t tell him the truth. Which is something a child would do. A child would throw a temper tantrum when it doesn’t get what it wants, which is what Oedipus does when Tiresias doesn’t tell him the truth of his birth.

To me this shows how Oedipus is a child and how Tiresias is a more mature and better person than Oedipus. Oedipus lashes out and rather than attack him physically Tiresias dismantles Oedipus with his knowledge. Oedipus doesn’t know what Tiresias knows and this hurts Oedipus so when Tiresias gives Oedipus little pieces of information to torment him, I applaud Tiresias. First off Oedipus is rude for making fun of someone who is blind secondly Tiresias reacts like “oh yeah well you don’t even know what going happen. What will rain down upon you”. So I feel that Tiresias is a better person and Oedipus is just an immature kid.

3.
“When my enemy moves against me quickly/ plots in secret. I must move quickly too. I must/ I plot and pay him back. Relax my guard a moment/ awaiting his next move-he wins his objective/ I lose mine… No I want you dead” (693-705).

Oedipus Truly hates the killer of Lias. This hate blinds him and makes him believe that Creon is the murder because Creon didn’t find the murderer. Oedipus starts to become frantic and sees enemies everywhere. Even if his enemies don’t exist. He sees an enemy behind every corner. Also Oedipus believes he is playing a game of chess with the murderer. He believes that every move the killer makes he must counter and never let his guard down. He needs to stay alive and by doing so he continues to play the game until either of them is dead. The objective for Oedipus is to stay alive. Both he and his enemy the killer wants to say alive. So if either one of them relaxes and lets their guard down they will perish and lose the game.


Oedipus is really aggravating me. He is taking this unknown enemy thing too far. Granted that his life depends on it but he doesn’t need to execute a loyal man just based off suspicion. He needs some real evidence before he can make a real claim that Creon is the enemy. Oedipus is just a scared man, and since he jumps to conclusion I feel he doesn’t deserve to be king. He isn’t using his mind which is why I feel he needs to let Creon rule.   

4.
People of Thebes, my countrymen, look on Oedipus. He solved the famous riddle with his brilliance, he rose to power, a man beyond all power. Who could behold his greatness without envy? Now what a black sea of terror has overwhelmed him. Now as we keep our watch and wait the final day, count no man happy till he dies, free of pain at last. (1678-1684).

Here the chorus is concluding the book story. They end by recapping the life of Oedipus. Oedipus solved the riddle of the sphinx to rise to power. He became Thebes’ savior and they respected him as such. Oedipus started as the savior but is now suffering from depression and a horrible fate. He was so high and now is so low. He was once a great man but now has fallen so far. And its all due to his character flaws. His pride his aggression and all of his characteristics have led him to this point.

I don’t feel sorry for Oedipus. He’s caused pain and suffering all in his quest for knowledge. He’s caused misery to his mother/ lover. His children will forever be scared and will be outcasts. So I feel no pity, he tried to find out the truth but was warned. He blamed Creon and tried to have him killed. So Oedipus deserves what he got. 

QUEEN

How could you love someone who was unknown to you?
You were thrown away like garbage but yet you pulled thru
But you were hasty to judge and too quick to discover
When you should have left it alone. This is your entire blunder
But now you beg for mercy and pity too
But no one will care about the plague that is you.

You poisoned Thebes and caused so much pain
It was your pride and insecurity not to mention you’re vain
You’re a horrible man with no future or eyes
You clawed them out when you saw between your mother’s thighs
I feel no pity for you and your children
You blamed your people both men and women

You made love to Jocasta and now she is dead
While you are left here with eyes that bleed red
So leave Thebes Oedipus, go on and scatter
You can leave or die and I hope you choose the latter.

SYNTHESIS:

Sophocles clearly outlines that power and the fear of losing power causes people to make false judgments. Oedipus is a king and a very good one at that. However when he starts to wonder who killed the former king, Lias, his mind becomes unhinged. He goes to speak to an Oracle and the oracle tells him that the murderer is someone who is close to Oedipus and “someone who lives at his house.” Oedipus becomes judgmental and suspicious of everyone. He even calls Creon’s loyalty into question, when he doesn’t find the killer. Creon explains himself by saying “we did our best, of course, discovered nothing” (633). But Oedipus loses control and still suspects him: “When my enemy moves against me quickly/ plots in secret. I must move quickly too. I must/ I plot and pay him back. Relax my guard a moment/ awaiting his next move-he wins his objective/ I lose mine… No I want you dead” (693-705).  Oedipus is saying that by not finding the killer and by not doing his job Creon must be the killer and Oedipus wants him to be held responsible for the death of Lias. Oedipus is so scared of dying and losing his power that he is willing to kill someone based only off of his inability to find the killer. Oedipus is not in the right state of mind. He accuses one of his most loyal family members of being the killer merely off of wild accusations. Therefore the fear of losing his power makes Oedipus scared and Irrational. Sophocles clearly shows hoe judgment can be distorted when under the impression of losing power.  After all Power corrupts, and who has more power than the king?






 Sophocles. Oedipus the King. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Classics, 1984. Print.


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